Monday, May 17, 2021

Reading Through 2021 98: I, Rene Tardi, Prisoner of War in Stalag IIB, by Jaques Tardi

I, Rene Tardi, Prisoner of War in Stalag IIB, by Jaques Tardi

2012, English edition 2018

It's a great story, and it has great art. Is it a great comic?

The oversized hardcover is perfectly printed
Previously I read the first volume of Tardi's Streets of Paris, Streets of Murder, and I loved it.  It really clicked for me.

I promptly ordered this series to see more personal work from Tardi and it's great. The cover notes promise "an artistic triumph," and it's hyperbole, but maybe accurate. The book is 180 pages of impeccably drawn and researched images of WWII era France and the camps of Germany.

The vast majority of the book is black and white, except a select few pages with accents
For Tardi, the book couldn't be more personal. This is his deceased father Rene Tardi's story of WWII. Tardi had asked his father to record as many memories of the war as he could, and his father obliged with detailed accounts supported by illustrations to make things clearer.

Father Rene's image on the left, and Tardi's own image based on it
Tardi then went and did his own research to create a more fleshed out image of the period, and proceeded to make three books out of it. This first volume covers the start of the war until the fall of the Reich in 1945.

Tardi inserts himself in the narrative as a boy, critiquing or questioning his father's story
The book maintains a consistent three-tiered, three-panel page throughout, and is narrated by the father as it happens. While the father goes about his life as a soldier or later, a prisoner, Tardi himself has dialogues with him about exactly what is happening.

Actually killing a person for the first time leaves the father with something like PTSD
As a story, it's as compelling as any other serious war narrative that takes the time to show the human cost and that there is no easy solution. Rene Tardi was a young man in his early 20s, and five years of his life are wasted fighting and later imprisoned in a neighboring country. France is occupied early on in the war, and the French soldiers are interned deep behind enemy lines where they are often used as slave labor. 

Tardi adds a little humor to his role as the artist of the book
Rene has few illusions about the reality that his life there sucks, but that it's also a lot better off as soldier from a country at peace (through its occupied government) than to be an interned soldier from a warring country like Russia. He is suffering, but realizes he could be suffering a whole lot more.

Tardi cuts no corners with the art. Every picture is drawn with attention to detail
Relative to war stories, it's not overly horrific, or I'm just getting numb to it all in my old age. Rene acknowledges all the other horrors of Nazi Germany, but is lucky to be shielded from the worst of it.
Camp life
This is an amazing story, it's a comic, but comparing it to his noir work, he avoids making this compelling or exciting with comic techniques. It's told in a dry manner. I read Paco Roca's excellent Twists of Fate this year, another book about a personal recollection of WWII. That book attempts to put you in the action, to let you experience what the main character did. In contrast, I, Rene Tardi, Prisoner of War in Stalag IIB seems more comparable to a Ken Burns documentary. It is full of scenes of the war, but doesn't so much show them as they happened as it does show that they did happen. 
The use of photos is one of the rare instances of comic panel-like images
I can't know why, but I imagine Tardi simply didn't want to "write" what happened to his father. He wanted his father's words to speak for themselves. Rene left ample personal notes on his time, and it seems to be an appropriate choice.
Nationality divides even prisoners in this world
A true story of war is not a happy one, but even acknowledging that, I was disappointed at first with this book. So much of the energy that I loved in Streets of Murder wasn't in here. As I sat down with it, I enjoyed it for what it was, and furthermore, understood that this approach to the book was the appropriate one. 
Tardi has managed to pay tribute to his father, and also give a vivid and personal account of WWII. We're all the richer for him sharing it.

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